![]() In Being and Event Badiou proposes to unbind Being from Leibniz’s dictum that ‘What is not a being is not a being’ (2006, 53). Posthumanism does not offer us a new form of life that might end the perverse counter-finality of the posthuman but only an opportunity to affirm the erotic potentials and encounters it discloses, an affirmation that, as Colebrook argues, can no longer be bounded by a transcendental subjectivity or normativity (Colebrook 2016, 29). Since posthumanism recapitulates this predicament conceptually as subtraction it is not an ethics but the organon of a ‘counter-ethics’ (a term I owe to Claire Colebrook – Colebrook 2012, 38). A sedentary, relatable world against which which anthropocentrism once appeared tenable or well-motivated is subliming away in the heat of undirected technoscientific and environmental change – that is, in what Rosi Braidotti and I call our shared ‘posthuman predicament’ or ‘posthuman condition’ (Roden 2014 Braidotti 2019, 2, 41). Posthumanism is consequently not– as some claim- an ethics committed to releasing the world from the philosophical imposition of anthropocentricism. This is not a psychological ‘desire for’ but a groundless, self-extirpating and necessarily contentless vector. I will argue that posthumanist ontologies are, likewise, subtractive operations and, consequently, leave us no relation to the future beyond a febrile and uncertain eros – a perverse operation, mutating bodies and machining worlds. Rather, Being is indexed for thought by a hole in thought an opening onto an Outside uncorrelated with thought or subjectivity. Subtractive ontologies – like those of Alain Badiou or Quentin Meillassoux – hold that Being is inaccessible to thought or experience. Royal Musical Association Music and Philosophy Study Group.The volume presents recent work of internationally recognized researchers – phenomenologically oriented philosophers, psychoanalysts and psychotherapists – who work in the common field of the two disciplines.Tags Accelerationism Aesthetics AI Aliens Antonin Artaud art autopoiesis badiou Ballard Bataille Bellmer biohacking Brandom Brassier BSG cinema cognitive science Computation critical posthumanism Cronenberg Cyborg Davidson deconstruction deicide DeLanda Deleuze Dennett Derrida disconnection ecology Eliminativism Erotic Ethics gary j shipley Harman Horror humanism human nature inferentialism inhumanism Laruelle] Marxism Materialism metaphysics Music Naturalism neuroscience Nick Land noise non-philosophy nonsense Object-Oriented Ontology OceanTerminus Ontology phenomenology philosophy poetry politics posthumanism Posthuman Life Realism reza negarestani Science Fiction Sellars singularity Sound Speculative Realism Structuralism Technology Theology the technological sublime Transcendental Materialism transhumanism weird writing Search for: Follow enemyindustry on art-performance The systematic investigations are enriched by historical analysis and research in the internal development of the disciplines involved. The analyses are also interdisciplinary, making use of connections with modern medicine, psychiatry and psychotherapy. These topics, important for modern phenomenology as well as for psychoanalysis, are examined in the context of the constitution of the human person as well as of our intersubjective world. In such approaches, phenomena like incorporation, phantasy, emotion and the unconscious are discussed afresh. In this context, the status of psychoanalysis as a science of human experience is discussed anew, now approached on the ‘first person’ basis of a phenomenological understanding of subjective experience. But also in more recent phenomenological research we find projects concentrated systematically on psychoanalysis and its theses. Thus, in the so-called second generation of phenomenology there developed an intensive reception of the psychoanalytic tradition, one that finds its expression even today in current hermeneutic, postmodern and poststructuralist conceptions. During the postwar period, phenomenologists, especially in France, revisited psychoanalytic topics. For both traditions, the Second World War presented a painful and devastating disruption of their development and mutual exchange. ![]() Already during the lifetimes of the two disciplines' founders, Edmund Husserl (1859 - 1938) and Sigmund Freud (1856 – 1939), phenomenological and phenomenologically inspired authors were advancing psychoanalytic theses. The present anthology seeks to give an overview of the different approaches to establish a relation between phenomenology and psychoanalysis, primarily from the viewpoint of current phenomenological research.
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